Lisabeth Sterling (American, b.1958), White Light from the Void, 1999. Cameo carved blown glass.
By Bergstrom-Mahler Museum of Glass | Published April 8, 2020 | Full size is 1280 × 1920 pixels
Even more so during times of social distancing, Lisabeth Sterling’s cameo carved glass vessel White Light from the Void evokes a sense of the important role interpersonal relationships play in regards human to human wellness. “The stuff of human relationships – man to woman, child to parent, young to old, human to animal, the individual to the group – seem to be close to Sterling’s heart, and the various small pleasures and endemic frustrations of them get played out across these surfaces.” – James Yood (1952-2018)
On loan from the collection of Jill Pelisek.
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